La Vita Nova. Love and Dante through the eyes of 10 Italian women artists.
Curated by Alessandra Mammì
Barracco Museum, Rome
June 9th – Otober 3rd 2021
Micol Assael – Letizia Battaglia – Elisabetta Benassi – Patrizia Cavalli – Marta Dell’Angelo
Ra di martino – Giosetta Fioroni – Marzia Migliora – Sabina Mirri – Elisa Montessori
This exhibition takes its cue from the celebrated early work of Dante Alighieri and has asked the artists for works inspired by the themes of the Vita Nova: the celebration of love; the apparition and the sanctification of the beloved woman; the union of love and death; spiritual elevation and the search for God through earthly love, but also the cruelty of love as it appears in Dante’s disturbing dream in which he imagines Beatrice in the act of eating his heart. All themes that may be reworked through that visual research that the artists of the second half of the 20th century above all have embraced on the basis of their own personal experience. Then again, the innovation in Dante’s text was actually his autobiographical approach, creating a kind of diary investigating the sentiment of love and distilling it in a literary work with strong visual elements. The aim of this exhibition is not illustrative. Instead, it intends to offer a close examination of the contemporary sensibility of a woman artist and the eternal nature of a text that, above and beyond the myriad mystical, esoteric and allegorical analyses, remains a paradigm of the discussion of love in Western culture.
The setting for this enthralling, engaging exhibition project, which presents 10 different ways of making art while tackling the issues in question, is the Giovanni Barracco Museum of Ancient Sculpture. This magnificent building, designed by Antonio da Sangallo, houses the collection of antiquities donated by Giovanni Barracco to the city of Rome in 1904. Today, the Barracco collection, composed of artifacts of timeless beauty – which range from examples of Egyptian art to those of Sumeria and Assyria, from Hellenistic sculpture to Roman fresco painting – intersects with the works of the artists, creating an intimate yet choral and evocative space.
The exhibition will be accompanied by a catalogue published by All’Insegna del Mare, the publishing firm founded in 2019 by Centro Studi Roccantica together with Franco Cardini and Roberto Mancini. Supported by a critical-historical essay by the curator Alessandra Mammì and a text by the Italianist and professor at the Università per Stranieri in Perugia, Floriana Calitti.